Custer's Last Charge 1876 fdr portrait framed ink and blood meeting on

ink and blood meeting on the page in the country's blackest April

Hobart 1897 — a campaign chromolithograph rigging the Republican ticket to the old metaphor of the Republic as vessel

Alexander Hamilton and the Grange

Design of Bronze Monument Commemorative of American Independence 1873 — a draftsman's proposal rendered in the civic vocabulary of the post-war republic

Custer's Last Charge 1876 fdr portrait framed ink and blood meeting onCuster's Last Charge 1876 a lithograph rendering of the Little Bighorn made in the gilded language of martyrdom, sabers raised against a closing circle of Lakota and Cheyenne riders. The image arrived in American parlors as elegy and alibi at once, the frontier's reckoning dressed up as cavalry romance. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional