the poet Philip Larkin wrote about constructing a religion by using water butterfly mounted to aluminium in an

mounted to aluminium in an oak tray frame

unstable forms

Light shaped by the movement of water interacts with the scene to create a hyper-real yet painterly visual field

Ginza District

the poet Philip Larkin wrote about constructing a religion by using water butterfly mounted to aluminium in anThe Splash Crucifixion series reinterprets a historic religious motif through the physical dynamics of water and impact. A collection of aged crucifixes is introduced to the water's surface, where the moment of contact disrupts surface tension and generates a brief, violent articulation of form. Each image records the instant of collision: a transient event in which solid object, liquid resistance, and gravity converge. Water erupts, fragments, and