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Gallery, Chicago, IL "Pretty," FOOD HOUSE, Santa Monica, CA 1994 "Thanks-The Works Is Not For Sale But Up For Barter," Three Day Weekend, Los Angeles, CA "Daves Not Here," Three Day Weekend, Los Angeles, CA "Thanks Again," FOOD HOUSE, Santa Monica, CA "Second Skin," curated by Charles LaBelle, Espace, San Francisco, CA "Bad Girls (catalogue)," curated by Marcia Tucker, New Museum, New York, NY "Utter Realities," curated by Randy Sommer, Cerritos College Fine Art Gallery, Cerritos College, Norwalk, "PARANOID," co-organized by Sam Durant, M*Y*T*H* Series at the Brewery, Los Angeles, CA "The Power of Positive Thinking," curated by Sam Durant, FOOD HOUSE, Santa Monica, CA 1993 "Loose Slots," curated by Richard Kuhlenshmidt, Temporary Contemporary, Las Vegas, NV "Heaven Missing," Jose Freire Gallery, New York, NY "Melancholic Consolation and Cynicism," Kuenstlerhaus Bethanien, Berlin, Germany Ruth Bloom Gallery, Santa Monica, CA "Thank You," FOOD HOUSE, Santa Monica, CA "FOOD HOUSE Visits the Art Store Gallery," curated by FOOD HOUSE The Art Store, Los Angeles, CA "Public & Private Pleasure," curated by Lauren Lesko, Nomadic Sites, Los Angeles "Cherry Bomb," Southern Exposure, San Francisco, CA "Imp of the Perverse," curated by Alisa Tager, Sally Hawkins Gallery, New York, NY 1992 "Skinned Eyes/Skin Dye," curated by Tyler Stallings, The Bridge Gallery, Los Angeles City Hall, Los Angeles, CA "The FAR Bazaar," Foundation for Art Resources Inc., Federal Reserve Building, Los Angeles, CA "Good Design," organized by Jorge Pardo & Pae White,Nomadic Sites, Pasadena, CA "Afterthought," San Francisco Art Institute, San Francisco, CA 1991 "Window on L.A.," curated by David Pagel, L.A
The heavier the cover, the heavier the weight and with a keeper built into the hook, the bait stays in place as it moves in and out of cover
Sand it down with 80-grit sandpaper, then 120-grit sandpaper
ORIENTATION - Left-Handed / Right-Handed
