Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana Categoría_Jóvenes Adultos Since its acquisition by the

Since its acquisition by the United States in 1898

en la cúspide de su carrera como pelotero y héroe latinoamericano

Hace de lo femenino su escenario

La voz poética se instala en el presente de un lugar del afecto

Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana Categoría_Jóvenes Adultos Since its acquisition by theIn Buena Vista in the Club, Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial eclipse by reggaetn. While Cuban officials initially rejected rap as "the music of the enemy," leading figures in the hip hop scene soon convinced certain cultural institutions to accept and then promote rap as part of Cuba's national culture. Culminating in the creation of the state run Cuban Rap