HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi color lithography became the language

color lithography became the language in which his vision found its most complete form

Pierre-Auguste Renoir (Limoges 1841 - Cagnes-sur-Mer 1919) è stato uno dei massimi esponenti dell’Impressionismo e tra i pittori francesi più amati del suo tempo

Delicate proof in a version dating back to the second half of the 19th century

The representation of the rhythms of collective labor indeed finds significant precedents in other works of his

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi color lithography became the languageBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New